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Review

Jessica Burrows and Ivan Hernandez. Photo by Kevin Berne.The epic story Doctor Zhivago is now an epic musical enjoying its world premiere at the La Jolla Playhouse and destined to take a shot at Broadway. And you have to like its chances given the Playhouse’s track record the last few years (Thoroughly Modern Millie, Jersey Boys).

Zhivago is a bit more challenging. Trying to turn such a sweeping drama into a successful musical is a daunting task. The story is set in Russia during the run-up and aftermath of the Bolshevik Revolution, and tells the tale of doctor and closet poet Yurii Zhivago. His engagement party to Tonya Gromeko is interrupted by the shooting of Viktor Komarovsky, an older and wealthy man whom Zhivago blames for the death of his father. Zhivago cares little about Viktor’s health, but is immediately intrigued by the would-be assassin – a young and striking woman named Lara.

What follows is a flurry of activity as both World War I and the communist revolution collide. Lara’s new husband is radical student organizer Pasha Antipova who disappears during the war to reappear later as a leader in the new regime. Meanwhile, Zhivago is drafted as an army medic and Lara meets him again when she volunteers as a nurse looking for her lost husband, but finding Zhivago instead.

All of that is a lot of background to get into the story, and it can make the first several scenes feel a bit frenetic and a challenge to develop the characters, getting the audience emotionally involved. But after the early scenes, the story settles in and becomes very compelling as the dynamics among Zhivago, Lara, Tonya, Pasha, Viktor Komarovsky, and the political turmoil they find themselves in drives the story.

The cast includes San Diego State alum Ivan Hernandez in the title role. He has the look and outstanding vocals to make it work, though an occasional tendency for a melodramatic delivery of an important line. His strongest scenes are near the end when he seems fully and realistically into the character. The tall, picturesque Jessica Burrows stars as Lara, giving the character beauty, vulnerability, and sadness, and giving the story its center. Her solo When the Music Played and her duet with Ivan On the Edge of Time are a couple of the show’s greatest moments. As is the tense, awkward, but warm meeting between Lara and Zhivago’s wife Tonya (a nicely underplayed and genuine performance by Rena Strober) in It Comes as No Surprise.

Tom Hewitt returns to the Playhouse as Lara’s former lover, creating a pragmatic Viktor whom you can tell is truly in love with Lara despite the unpragmatic nature of that love. Matt Bogart as the passionate Pasha is the only one who is both in love with Lara and married to her, but his love and fixation against the wealthy leads him away from his marriage and onto an obsessive path of violence and revenge.

The show boasts an impressive ensemble that includes the talented San Diegan Bibi Valderrama as Zhivago and Tonya’s young, sweet son Sasha, and another young local, Mackenzie Holmes, contributes greatly to a memorable scene at the end as Katarina. Edward Conery and Maureen Silliman are Tonya’s parents who struggle after the revolution. Mark Emerson (UCSD) and Tina Stafford humorously welcome Zhivago back from the war to his now communist-run house. And the whole ensemble gets the show into a new and welcome gear with a  lively, cheerful wedding shower among Pasha, Lara, and their student friends with the scene It’s a Godsend.

Director Des McAnuff and his design team have done remarkable work in creating visuals that enhance the story without overwhelming it. Heidi Ettinger’s sets include an adaptable steel bridge and snow banks along a central river, a design that at times can appear gorgeous and at other appropriate times seem cold and lifeless. A movable and versatile “boat” works its way up and down the river for various guises and purposes. It is all set off beautifully by Howell Binkley’s lighting, and David C. Woolard has designed great period costumes fitting for both the nobility and the students who are about to strip that nobility.

Performs through July 9, 2006.

Rob Hopper
San Diego Playbill

~ Cast ~

Photo by Kevin Berne.Bloodied Soldier/Ensemble: Dominic Bogart
Pasha Antipov/Strelnikov: Matt Bogart
Lara Guishar Antiopova: Jessica Burrows
Nurse/Ensemble: Sandy Campbell
Alexander Gromeko/Ensemble: Edward Conery
Cossack Commander/Ensemble: Ryan Drummond
Tusia/Shulygin/Ensemble: Mark Emerson
Priest/Ensemble: David Carey Foster
Young Rake/Priest/Ensemble: Jason Heil
Yurii Andreyevich Zhivago: Ivan Hernandez
Viktor Komarovsky: Tom Hewitt
Nurse/Ensemble: Melissa Hoff
Katarina: Mackenzie Holmes
Yanko/Ensemble: Christopher Kale Jones
Ensemble: Rebecca Kaasa
Olya/Ensemble: Melina Kalomas
Kornakov/Gints/Ensemble: David McDonald
Tolya/Ensemble: Spencer Moses
Ensemble: Eduardo Placer
Liberius/Ensemble: Graham Rowat
Anna Gromeko/Ensemble: Maureen Silliman
Kubarikha/Gulyobova/Ensemble: Tina Stafford
Tonya Gromeko: Rena Strober
Markel/Quartermaster/Ensemble: Nick Ullett
Sasha/Ensemble: Bibi Valderrama
Yelenka/Ensemble: Melissa van der Schyff

Director: Des McAnuff
Choreography: Sergio Trujillo
Music Direction and Dance Arrangements: Eric Stern
Scenic Designer: Heidi Ettinger
Costume Designer: David C. Woolard
Lighting Designer: Howell Binkley
Sound Designer: Steve Canyon Kennedy
Stage Manager: Kelly Martindale