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Thoroughly Modern Millie by Welk Resort Theatre Thoroughly Modern Millie is enjoying its debut
performance at the Welk Resort Theatre, not too far up from where it originated
at the La Jolla Playhouse before catapulting itself and its star, Sutton
Foster, into Broadway glory. It’s a goofy romantic comedy set in the Roaring
Twenties with a lovably goofy leading lady who is leaving her hometown of
Salina, Kansas behind to start a new and thoroughly modern life for herself in
the bright lights of New York City. The Wizard of Oz overtones are in
the story, and in Director Todd Nielsen’s impressive production, which
begins with Millie arriving in a sort of drab, black-and-white New York,
reminiscent of the black-and-white opening of the classic MGM film, before
Millie splashes it with color and the rest of the city seems to follow.
But this Dorothy ain’t interested in clicking her heels to go back home, and not just because someone stole one of her shoes (and all of her money) just minutes after she arrived. She’s burning the bridge and determined to stay in New York till she achieves her dreams, which means getting a job and marrying her rich boss. And this Millie’s got the spunk to achieve whatever she dreams. Diana Kaarina (Eponine on Broadway and in the national tour that swung through San Diego a few years back) starred as Millie’s friend Miss Dorothy in the first national tour. Now she’s in the lead role, and she’s dynamite – charisma, stage presence, optimism, stubbornness, smarts, uninhibited youthfulness, a dash of dorkiness, and a girl-next-door cuteness that is immediately endearing. Special skills include being able to take dictation while checking out her potential boss’s butt. And she can sing. Not just belting it out, which she can apparently do without limits, but also doing it with meaning, singing of love in Jimmy and Gimme Gimme with such genuineness and surprise that it’s as if love completely blindsided her, and she’s so moved and thrilled that she’s scarcely aware she’s singing.
But all could be lost if the evil landlady, cleverly disguised as an old, sweet (well, not so sweet) Chinese lady Mrs. Meers, is able to sell Dorothy off into “white slavery.” San Diego favorite Melinda Gilb is great as usual, a huge personality that is as ruthless and confident as it is amusing. Emir Yonzon as Bun Foo and Kavin Panmeechao as Ching Ho do a nice job as her two young Chinese assistants who aid the devious Mrs. Meers in the hopes of being reunited with their Muqin/Mammy – until Ching Ho falls for Miss Dorothy. Karole Foreman is stately yet warm and down-to-earth as the lovely jazz singer Muzzy Van Hossmere with a gorgeous voice. Kami Seymour is the not-so-stately Miss Flannery, Graydon’s executive assistant, who marches around the office with the grace of a bull and a demeanor and stance to match. The Welk is a small stage for such a large and dance-intensive show. But through some sweet mystery of life, Choreographer Troy Magino and the strong ensemble of tapping New Yorkers give a sense of huge and dynamic tap numbers without appearing to be cramped, bringing the big city and a romantic vision of a past age back to life on stage.Rob Hopper San Diego Playbill ~ Cast ~
Millie Dillmount: Diana KaarinaJimmy Smith: Matt Lutz Ruth: Tanya Lee Schwied Gloria: Karla Ruth Gilbert Rita: Danielle Levas Alice: Sarah Petrella Lucille: Amy Batchelor Ethel Peas: Kate Roth Mrs. Meers: Melinda Gilb Miss Dorothy Brown: Sarah Bermudez Ching Ho: Kavin Panmeechao Bun Foo: Emir Yonzon Miss Flannery: Kami Seymour Mr. Trevor Graydon: Quinn VanAntwerp The Pearl Lady: Amy Batchelor The Letch: Roddy Kennedy Muzzy Van Hossmere: Karole Foreman George Gershwin: Benjamin Hart Ira Gershwin: Roddy Kennedy Dorothy Parker: Karla Ruth Gilbert Rodney: Travis Davidson Kenneth: Arthur Shinomia Mathilde: Danielle Levas Daphne: Tanya Lee Schwied Dexter: Geoffrey Washburn New Modern: Danielle Levas Director: Todd Nielsen Choreographer: Troy Magino Music/Vocal Director: Justin Gray Prod. Stage Manager: Jennifer Edwards-Northover Set Design: Andy Hammer Lighting Design: Jennifer Edwards-Northover Costume Design: Carlotta Malone |