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Review
Thoroughly Modern Millie
by Welk Resort Theatre

Thoroughly Modern Millie is enjoying its debut performance at the Welk Resort Theatre, not too far up from where it originated at the La Jolla Playhouse before catapulting itself and its star, Sutton Foster, into Broadway glory. It’s a goofy romantic comedy set in the Roaring Twenties with a lovably goofy leading lady who is leaving her hometown of Salina, Kansas behind to start a new and thoroughly modern life for herself in the bright lights of New York City. The Wizard of Oz overtones are in the story, and in Director Todd Nielsen’s impressive production, which begins with Millie arriving in a sort of drab, black-and-white New York, reminiscent of the black-and-white opening of the classic MGM film, before Millie splashes it with color and the rest of the city seems to follow.

But this Dorothy ain’t interested in clicking her heels to go back home, and not just because someone stole one of her shoes (and all of her money) just minutes after she arrived. She’s burning the bridge and determined to stay in New York till she achieves her dreams, which means getting a job and marrying her rich boss. And this Millie’s got the spunk to achieve whatever she dreams. Diana Kaarina (Eponine on Broadway and in the national tour that swung through San Diego a few years back) starred as Millie’s friend Miss Dorothy in the first national tour. Now she’s in the lead role, and she’s dynamite – charisma, stage presence, optimism, stubbornness, smarts, uninhibited youthfulness, a dash of dorkiness, and a girl-next-door cuteness that is immediately endearing. Special skills include being able to take dictation while checking out her potential boss’s butt. And she can sing. Not just belting it out, which she can apparently do without limits, but also doing it with meaning, singing of love in Jimmy and Gimme Gimme with such genuineness and surprise that it’s as if love completely blindsided her, and she’s so moved and thrilled that she’s scarcely aware she’s singing.

The cast is filled with great vocal, comic, and dancing talents. Matt Lutz is Jimmy Smith, the street-wise New Yorker who gets tangled up with newbie Millie, and before he knows it he’s literally out on a ledge for her in a well-done scene as a nervous but determined skyscraper stalker, the two of them reacting and dancing on the ledge so well that I almost felt nervous for them. Quinn Vanantwerp is a riot as Millie’s manly but melodramatic boss Trevor Graydon, especially when he runs smack into love with Millie’s best friend, the slumming debutante Miss Dorothy (Sarah Bermudez) who is so excited about living among normal people that she can barely stand it. Quinn and Sarah’s Ah! Sweet Mystery of Life meeting and dancing is hilarious.

But all could be lost if the evil landlady, cleverly disguised as an old, sweet (well, not so sweet) Chinese lady Mrs. Meers, is able to sell Dorothy off into “white slavery.” San Diego favorite Melinda Gilb is great as usual, a huge personality that is as ruthless and confident as it is amusing. Emir Yonzon as Bun Foo and Kavin Panmeechao as Ching Ho do a nice job as her two young Chinese assistants who aid the devious Mrs. Meers in the hopes of being reunited with their Muqin/Mammy – until Ching Ho falls for Miss Dorothy. Karole Foreman is stately yet warm and down-to-earth as the lovely jazz singer Muzzy Van Hossmere with a gorgeous voice. Kami Seymour is the not-so-stately Miss Flannery, Graydon’s executive assistant, who marches around the office with the grace of a bull and a demeanor and stance to match.

The Welk is a small stage for such a large and dance-intensive show. But through some sweet mystery of life, Choreographer Troy Magino and the strong ensemble of tapping New Yorkers give a sense of huge and dynamic tap numbers without appearing to be cramped, bringing the big city and a romantic vision of a past age back to life on stage.

Rob Hopper
San Diego Playbill
~ Cast ~

Millie Dillmount: Diana Kaarina
Jimmy Smith: Matt Lutz
Ruth: Tanya Lee Schwied
Gloria: Karla Ruth Gilbert
Rita: Danielle Levas
Alice: Sarah Petrella
Lucille: Amy Batchelor
Ethel Peas: Kate Roth
Mrs. Meers: Melinda Gilb
Miss Dorothy Brown: Sarah Bermudez
Ching Ho: Kavin Panmeechao
Bun Foo: Emir Yonzon
Miss Flannery: Kami Seymour
Mr. Trevor Graydon: Quinn VanAntwerp
The Pearl Lady: Amy Batchelor
The Letch: Roddy Kennedy
Muzzy Van Hossmere: Karole Foreman
George Gershwin: Benjamin Hart
Ira Gershwin: Roddy Kennedy
Dorothy Parker: Karla Ruth Gilbert
Rodney: Travis Davidson
Kenneth: Arthur Shinomia
Mathilde: Danielle Levas
Daphne: Tanya Lee Schwied
Dexter: Geoffrey Washburn
New Modern: Danielle Levas

Director: Todd Nielsen
Choreographer: Troy Magino
Music/Vocal Director: Justin Gray
Prod. Stage Manager: Jennifer Edwards-Northover
Set Design: Andy Hammer
Lighting Design: Jennifer Edwards-Northover
Costume Design: Carlotta Malone