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Review
Bye Bye Birdie
by Welk Resort Theatre

The odds are good that you’ll enjoy this classic musical about gambling Guys and the Dolls that don’t like gamblers – but fall in love anyway. The production combines great plot, amusing characters, a score loaded with great songs, and a cast loaded with some fine voices for a winning night of theatre.

The show seems to get off to a slightly slow start before really coming up aces when Adelaide (Elna Binckes) admits to her fiancé of the past fourteen years Nathan Detroit (Barry Pearl) that her mother believes they have already been married for a dozen years already have a half dozen kids – a misunderstanding induced by letters that Adelaide had been sending Mom to cover up for her embarrassingly long engagement. Nathan takes the news pretty well, except for the part of him being just an “Assistant” Manager at an A & P (Adelaide promises to promote him for Christmas!). But he still doesn’t set a wedding date – a chronic problem that has become the source of Adelaide’s chronic psychosomatic cold, as she figures out in Adelaide’s Lament.

Both Elna Binckes and Barry Pearl continue to roll out most of the show’s best comedy from then on out, enhanced by Elna’s hilarious voice and Barry’s dry sense of humor. Welk audiences might remember Elna as Nellie Forbush in last summer’s South Pacific and Barry in his Billie Award-winning performance as Ali Hakim in the 2001 production of Oklahoma! While all of us Grease fans will remember Barry as T-Bird Doody in the blockbuster 1977 movie. (Note for Grease fans: There are currently plans for a movie-of-the-week featuring the film’s original cast reuniting 25 years later!)

Battling a real cold opening week, the religious and moral Sister Sarah Brown (Ann Winkowski) had to work hard for her regular talking voice, but her beautiful singing voice was marvelously unimpaired. That results in one of the loveliest renditions of If I Were a Bell as well as duets I’ll Know and the romantic I’ve Never Been In Love Before that she sings along with the supremely smooth vocals of Jeffrey Rockwell as high-stakes gambler Sky Masterson.

The male ensemble members earn perhaps the biggest ovation of the show with their souls on the line in the Luck Be A Lady number for their great dancing choreographed by Director Ray Limon. The piping hot Hot Box Girls kick off the second act with their fun and flirting Take Back Your Mink. And all the guys and dolls chime in for some serious holy rolling as Nicely-Nicely (Richard Blake) leads them in the spirited Sit Down, You’re Rockin’ The Boat. Which was surely part of the reason that the audience did not keep their seats at the end of the show, giving the cast a big standing ovation.

Rob Hopper
San Diego Playbill
~ Cast ~

Albert Peterson: Chris Warren Murry
Rosie Alvarez: Natalie Nucci
Ursula Merkle: Kelly Felthous
Penelope: Julie Kenyon
Margie: Sarah Jenkins
Nancy: Ashley Gardner
Kim MacAfee: Amy Rutberg
Mrs. Doris MacAfee: Heidi Goodspeed
Mr. Harry MacAfee: Jamie Torcellini
Randolph MacAfee: Michael Drummond
Sad Girl: Sarah Jenkins
2nd Sad Girl: Julie Kenyon
Mrs. Mae Peterson: Peggy Billo
Conrad Birdie: Matt Merchant
Policeman: Darren Kjeldsen
Reporter: Geoffrey Washburn
Reporter: Jacob ben Widmar
Photographer: Justin Caster
Porter: Stewart Wall
Hugo Peabody: Kurt Norby
Mayor Merkle: Ralph Johnson
Mrs. Merkle, The Mayor's Wife: Jodie Bowman
Mary Merkle: Kelsey Smith
Gloria Rasputin: Jodie Bowman
Maude: Darren Kjeldsen
Drunk: Geoffrey Washburn

Director: Lewis Wilkenfeld
Choreographer: John Charron
Stage Manager: Jennifer Edwards
Set Design: Mike Buckley
Lighting Design: Jennifer Edwards
Costume Design: Ambra Wakefield