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Review

Bill Dunnam and Antonio "T.J." JohnsonThe story is set in the old family farmhouse nestled in the nation’s heartland, surrounded by an abundance of corn and other crops ready for the harvest. Sounds like it’ll be a nice, warm homecoming for young Vince (David Stanbra), returning with his new girlfriend Shelly (Kathleen Brower) to the home, sweet home he grew up in. However, this is not a kinder, gentler, nurturing family out of some Republican stump speech. Even the ghoulish Addams Family would be aghast at this lot’s values. But this is not a family of ghouls. They’re not even liberals! They are acclaimed playwright Sam Shepard’s response to the idea that “family” is necessarily the center of all that’s good in society.

This disturbing tale, a 1978 Pulitzer Prize winner, is a tale brimming with brutal satire and dark comedy. The family members treat each other with emotional, occasionally physical, cruelty with a lack of respect or any real interest in one another – bounded not by love, but by a dark secret (pssst..........it has something to do with the play’s title!). Hanging over all of the family members is a sense of confusion and insanity evident from the first hilarious exchange between Dodge and his wife Halie, to the creepy final scene.

Capturing the perfect Shepardian blend of lunacy, indifference, and peculiar sense of humor is Antonio “T.J.” Johnson as Dodge, the head of the household who is content to make himself a permanent fixture on the living room’s rotting couch. Not that being “head of the household” means his religious-minded wife (Jill Drexler) won’t outwardly flirt right in front of him with the less-than-pious minister, performed nicely by Charlie Riendeau. Nor does it mean that he can go to sleep on his beloved couch without his menacing son Bradley (Rhys Green) shaving his head till it bleeds. And it certainly doesn’t mean that he knows what’s going on under his own roof, as he is absolutely certain there is no corn growing outside – even after he gets showered with it by his dull-witted but harmless son Tilden (Bill Dunnam).

Vince is shocked when his homecoming is met with complete disinterest, his father and grandfather greeting him as some odd stranger they’d never seen before who is probably a little touched in the head. But Grandpa Dodge might be able to look past that oddness if Vince goes out and picks him up some booze. Vince’s girlfriend Shelly, as the outsider and the only normal one in the bunch, gives us the “sane” perspective on the family, at first not knowing what to do and then accepting them for what they are and trying to be patient and understanding. But she grows angry as Vince’s response is to run out and get drunk, not returning till the next morning. Yet it seems indifference, lack of communication, and ignoring family problems is deeply imbedded in this household.

This story is not apt to leave you with a warm feeling inside, and is certainly not for everyone. But if you enjoy bizarre characters, dark humor, avant-garde theatre, and/or the singular imagination of Sam Shepard, you’ll likely enjoy this unusual and compelling family drama.

Rob Hopper
San Diego Playbill

Performances: April 27 - May 25, 2003

~ Cast ~

Dodge: Antonio "T.J." Johnson
Halie: Jill Drexler
Tilden: Bill Dunnam
Bradley: Rhys Green
Vince: David Stanbra
Shelly: Kathleen Brower
Father Dewis: Charlie Riendeau

Playwright: Sam Shepard
Director: Joe Powers
Set Design: Marty Burnett
Sound Design/Original Music: Jeff Jones
Lighting Design: Mike Durst
Costume Design: Jannifer Mah
Stage Manager: James DeMaiolo